TR140.A55 A57 2002
Ansel Adams [videorecording] : a documentary film / written and directed by Ric Burns ; produced by Ric Burns & Marilyn Ness ; a co-production of Sierra Club Productions and Steeplechase Films. [Alexandria, VA?] : PBS DVD Video : Distributed by PBS Home Video, c2002.

"Portrait of a great artist and ardent environmentalist-for whom life and art, photography and wilderness, creativity and communication, love and expression, were inextricably connected."--Container.

TR140.A94 R5 2002
Richard Avedon: Darkness & Light.  Thirteen (WNET), directed by Helen Whitney.  New York:  Wellspring Media, 2002.

TR23 .A512 1999
American photography: a century of images. Produced and directed by Ellen Hovde, Muffie Meyer; writer, Ronald Blumer; a production of KTCA in association with Middlemarch Films, Inc.

Presents the whole range of photography in the United States in the 20th century. The range of topics include artistic photography, photojournalism and home photography. The series mentions the technological change and the impact that photographs have whether they are personal or newsworthy. 

TR140.C28 H4 1998
Henri Cartier-Bresson?: point d'interrogation: a film. Sarah Moon with the collaboration of Robert Delpire; a production Take Five; producer in charge, Michele Siritzky.

Documentary about photographer Henri Cartier-Bresson, including footage of him in his Paris and Provence homes and many stills of his works. He talks about his passion for drawing, offers his opinion on different types of photography and shares photos of himself. 

TR140.C78 P67 1987
Portrait of Imogen.  Produced by Nancy Hale, Meg Partridge; directed by Meg Partridge.

A glimpse of one of the twentieth century's most famous photographers and her career spanning 75 years. Imogen Cunningham presents and comments on more than 250 of her photographs in a series of informal interviews recorded when she was in her late eighties. 

TR140.C82 C65 2000
Coming to light: Edward S. Curtis and the North American Indians. Co-production of Anne Makepeace Productions, Inc. and Thirteen/WNET; produced, written and directed by Anne Makepeace; executive producer, Susan Lacy.

"The dramatic story of Edward S. Curtis' life, his work, including his monumental photographic output, and his changing views of the people he set out to document. This video includes Native Americans in the discussion of Curtis' images."

TR140.C82 D54 1996
Different lenses: the photography of Edward & Asahel Curtis. Produced by Randy Brinson and Stephen Hegg.

"Two great photographers witnessed the exciting history of the Pacific Northwest at the turn of the century. They were brothers, yet their stories could not have been more different. Edward, obsessed with the past, became famous for his artistic portrayals of traditional American Indian life. Asahel Curtis trumpeted the future and optimistically recorded the making of a vigorous industrial society. As the modern world was built around them, Asahel and Edward Curtis created visions of the Northwest that have lived in people's minds ever since."--Container. 

TR140.C82 F66 1990
Forever in time. Sepia Productions; producer, writer, Robert W. Mull.

Takes a look at the life and works of Edward S. Curtis whose photography of the American Indian spanned the first three decades of the twentieth century. 

TR140.C82 L36 1989
 Larkspur Fine Arts presents the Edward S. Curtis portfolios.

Presents still photographs taken from an original set of Edward S. Curtis folio photogravures for the twenty volume set of books entitled The North American Indian. 

TR140.C82 S53 1975
The Shadow Catcher: Edward S. Curtis and the North American Indian. Phoenix Films; produced and directed by T. C. McLuhan.

A critical account of the life of Edward S. Curtis, a photographer and writer who worked among the Indians of the American Southwest for over 32 years. 

TR140.E38 D95 1998
Dying to tell the story. Turner Original Productions.

This documentary centers on the life and death of Dan Eldon, a 22 year old Reuters photographer who was stoned to death in Somalia in 1993. His sister Amy interviews Christiane Amanpour and other war journalists and travels in their paths, in an attempt to understand the life of a war photographer. Features video footage and still photographs of war zones in Bosnia, Somalia, Rwanda, etc. 

TR140.G7 T5 1994
Tilting at Space:  the work of Jan Groover.   Director/cinematographer, Mark Trottenberg, producer Trina Barney.  new York: Checkerboard Foundation, Inc., 1994.

TR140.L3 D66 1997
Dorothea Lange. Films for the Humanities.

The story of photographer Dorothea Lange. Trained as a society photographer, she began documenting the effects of the Depression on ordinary Americans in the 1930's. Her images spoke eloquently of the plight of the poor and brought the distress and desperation of the Depression into the consciousness of the public. 

TR140.L3 D68 1980
Dorothea Lange, under the trees. National Education Television; made by KQED.

Pictures Dorothea Lange as she prepares for a one-woman exhibition of her work covering the past fifty years. Discusses her involvement in her work, her philosophy as a photographer, and the reasons and emotions which moved her to photograph particular scenes. 

TR140.L45 A45 1997
Annie Leibovitz: celebrity photographer. Middlemarch film for London Weekend Television in association with RM Arts; edited and presented by Melvyn Bragg.  

TR140.M55 L44 1995
Lee Miller: through the mirror. By Sylvain Roumette; with the collaboration of Anthony Penrose and David Scherman.

Biographical film about the life of Lee Miller, model, news photographer, and friend to a variety of twentieth century artistic figures. 

TR140.N488 H45 1988
Helmut Newton: frames from the edge. An R.M. Arts production; film directed by Adrian Maben; production, Adrian Maben, Martine Vigouroux.

Explains how Helmut Newton raised nude photography to an art form. Features the photographer at work with models, discusses his life and work, and interviews several of his famous subjects. 

TR140.N68 N675 1989
Notman's world: photographs from the Notman collection.National Film Board of Canada; directed by Albert Kish; produced by Bill Brind.

When photography was still in its infancy, William Notman opened his first studio in Montreal in the late 1850s. By the time of his death in 1891, over 20 studios were in operation in Canada and the United States. "Not content with doing mere portraiture, he saw photography as a means of documenting history. ... Notman left behind a wealth of photographs that presented an image of Canada as a land of industry and romantic wilderness; images that persist to this day."--container. 

TR140.S627 W2 1989
W.Eugene Smith: photography made difficult. Home Vision presents an RM Arts production; a co-production of WES FORee Productions, WQED/Pittsburgh and WNET/New York.

A profile of W. Eugene Smith as told through his photographs, interviews and dramatized sequences. 

TR147 .P52 1990
A Picture's Worth a Thousand Words: interpreting visual information.  Center for Humanities; video director, Ed Susch.

Contains a series of still images with narration designed to demonstrate how visual images, including seemingly objective images such as photographs, maps, and charts, present only a partial, and usually biased, view of reality. 

TR161 .C58 1992
Classroom collection.

This video production is suitable for classroom environments and provides the teacher with numerous topics for discussion in class. The techniques shown, basic in content, along with well structured information, give teachers the opportunity to expand course material. 

TR287 .M34 1999
Magic of the Image: photography revealed = Magie de l'image: la photographie revelee. A co-production of Universite Paris-Sud, Mission de l'information scientifique et technique, Service commun de l'audiovisuel d'Orsay & Centre national de la recherche scientifique, Departement de chimie, Direction de l'information scientifique et technique; conception and direction, Serge Guyon, Jean-Louis Marignier, Georges Roussi.

"This elegant program artistically unfolds the history of photography, including the contributions of Joseph Niepce, Louis Daguerre, Fox Talbot, and the Lumieres, with an emphasis on the processes involved in creating photographs"--Container. 

TR647.M5225 D8 2000
Duane Michals (1939-1997).  Tuckernuck Productions, Inc.; Suydam Productions; Ed Howard, Theodore Haines, producers.  New York:  Checkerboard foundation, 2000.

TR647.P53 2000
Pierre et Gilles:  Love Stories.  Mike Aho, dir.  New York: Water Bearer Films, 2000.

TR647 .P54 1993
The continued ... saga of an amateur photographer [videorecording] / conceived and operated by Steven John Pippin on the 12:32 pm London, Victoria to Brighton train. [England : Pippin],cc1993.

"A toilet bowl was converted into a camera on board a British rail train travelling from London to Brighton. A specially designed aluminium 'insert' fitted into the recess of the toilet bowl. This housed both lens and shutter device as well as a pneumatic seal which when inflated (by the use of a bicycle pump) holds the contraption firmly into place as well as sealing out unwanted light. The operator then removed his trousers in order to 'load the photographic paper, placing his arms down the legs in the manner of a changing bag. Once exposed the toilet was flushed (taking care to avoid flushing whilst at a station) and developer simultaneously injected into the toilet cistern pipe at the rear of the bowl. The operation was then repeated for the fixer after which the toilet was flushed washing the print of any resedue chemicals and finally retrieved. The whole process of photography seemed to align itself perfectly with the toilet. The initial qualities of the toilet bowl and lid gave a light tight unit with which to load the photo sensitive material. The water then accepted the addition of developer (at the correct ratio) which enabled the flushing and simultaneous development of the photographic image in the bowl below."--Excerpts from 'Steven Pippin - Discovering the secrets of monsieur Pippin'." = container

TR647.W383 B44 1992 Behind the scenes with Carrie Mae Weems. Co-production of Learning Designs & Thirteen-WNET.

One episode (program 4) from the Behind The Scenes television series. This is a visit with photographer Carrie Mae Weems who gives children a glimpse of how photographers decide what goes into their pictures, and how framing and composition give meaning to the photographer's work. 

TR654 .L6 1998 Looking back at you. BBC-TV produced in association with Amaya Distribution & YLE; produced & directed by Andrew Snell.

Examines the photography of Sebastiao Salgado and places his photographs into the context in which they were taken. Places particular emphasis on his book, "Workers". 

TR654.S64 2000
The Spectre of Hope.  Minerva Pictures production, New York:  First Run/Icarus films, 2000.

TR680.N35 1997
Nan Goldin: In My Life. Paul Tschinkel, producer/dir.  New York:  Inner-Tube Video, 1997.

TR690.2 .B57 1993
Blast 'em. Cinema Esperanca presents an Anders Palm production of a film by Joseph Blasioli and Egidio Coccimglio.

In the spirit of People magazine and Entertainment Tonight, an entertaining documentary about the frenzied competition among paparazzi for celebrity photos. The film focuses on Victor Malafronte, a young photographer who aggressively pursues his celebrity prey.   

TR820.5 .H5623 1985 America and Lewis Hine. Daedalus Productions; producers, Daniel V. Allentuck, Nina Rosenblum; director, Nina Rosenblum.

Using historical photographs and footage, follows America's pioneer industrial photographer on his odyssey through the mines, mills, and factories of America in the first half of the twentieth century. 

TR820.6 .J63 1988
John Hoagland: front line photographer. Front Line/Urban Assault Video production; produced by David Helvarg; directed by Charles Landon.

Biography of Newsweek photographer John Hoagland, shot and killed March 16, 1984, while covering a battle in El Salvador. 

TR820.6.N33 W37 2001
War photographer. Christian Frei Filmproductions in association with Swiss National Television and Suissimage; a Christian Frei film; produced, directed, and edited by Christian Frei.

Following the career of award-winning photographer James Nachtwey from Nicaragua to Africa, Rwanda to Bosnia. Much of the documentary was shot with a tiny videocamera attached to Nachtwey's still camera, recording the horrors of war as he sees them. 

TR850 .V57 2000
Visions of light: the art of cinematography. The American Film Institute and NHK Japan Broadcasting Corporation in collaboration with the American Society of Cinematographers.

The story of cinematography as seen through the lenses of the world's greatest filmmakers and captured in classic scenes from over 125 immortal movies. Traces the evolution and innovations of cinematography beginning in an era when the movie camera was a marvelous invention, and examines how to filmmaking process was complicated by new cinematic trends and technologies. 

TR852 .A34 1997
Advanced broadcast camera techniques. John Cooksey.

"Insider" step-by-step approach for shooting documentaries, events news, commercials, special interest or corporate videos. 

TR852 .F73 1978
Framing: how much do you want to show? Australian Film, Television and Radio School.

Discusses the impressions that the framing of a filmed scene creates for the viewer. Includes description of on-screen and off-screen space. 

TR858 .N6 1994
No strings attached. GRB Entertainment; producer, Dan Arden; written by Michael Branton.

Jim Henson Productions is shown creating puppet performers using state-of-the-art techniques. 

TR896 .H69 1993
How to put your photos on video and produce your own video photo album. Produced by Bob Burg.

Shows how to make video programs from you photos or slides and gives an overview of different video formats: VHS, VHS-C, 8mm, Super VHS (S-VHS), and Hi8. 

TR1035 .E43 1990
Electronic still photography: ESP '90: a two-part satellite videoconference from Rochester Institute of Technology, October 23 and 30, 1990. Sponsored by Eastman Kodak Company.

 

Updated 4.06.04
Robyn Adcox